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alahe i3efo 3elina bashe welahe
25/08/2006 23:45
3afakom ila ma 9erawe hadchi radi temouto dehak
wa hade msn wela mochekila fe maroc kheraje 3ela welad 3erabe ou banete 3erabe
regard un garcon et une fille chat
titanic: salut
nancy 3ajram:ca va
titanic:oui ca va merci et toi
nancy 3ajram:cool
titanic:comment t'apelle
nany 3ajram:c nancy 3ajram et toi
titanic:waw halefi belahe heta nancy 3ajram
nancy 3ajram:welahe ou neta cheno semayetak
titanic:semayeti titanic
nancy 3ajram: gole welah heta neta titanic dicaprio
titanic:welah heta ana 3anedak chi tasewira
naancy 3ajram: ah attendu wahd chewiya
titanic: wakha khodi rahetak
nanacy 3ajram:
titanic: welahe heta hiya nancy 3ajram
nany 3ajram :yalahe warini neta tasewiretak
titanic:hiya lawela
naanyc 3ajram:ok
titanic:ha hiya chofiha
nancy 3ajram:welahe heta howa  
titanic: ok daba fin radi netela9awe rada
nancy 3ajram: netela9awe fe wedaya heda la plage
titanic:ok 3etini numéro deyalak
nany 3ajram: ok 000000000 3etini deyalak
titanic:ok 111111111 ok
nancy 3ajram:yalahe bay daba raseni neemchi ra baab ja heta rada ok
titanic:ok tehalay fe rasek a zin deyali heta rada me3a 6.00h
nancy 3ajram:ok a zin deyali bay
ewa ajiwe tesame3o lared lihe fach tela9awe
ewa mechat hiya alwedaya ou howa mecha alwedaya ou tela9awe mouhim hiya bedate kate 9alabe 3elihe ou howa kaye 9alabe 3eliha fach tela9awe chofo tesawerehoume ki dayerin la titanic wala nancy 3ajram ok
titanic:
nany 3ajram:
ewa cheti nancy 3ajram titanic tame3e ou nancy 3ajram bara chohera ewa fach tela9awe sakhefo bejouje heta mechawe l'hopital
ok bay les amis
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chalte chalte
23/08/2006 18:41
Chalte Chalte
By Taran Adarsh
 As producer, Shah Rukh Khan missed the bus in his first two productions. Will he get it right the third time, with CHALTE CHALTE? Yes, he does! Dreamz & UTV's CHALTE CHALTE, directed by Aziz Mirza, is a feel-good film and though it has its share of loose ends, the outcome leaves you feeling thoroughly fulfilled.
Opposites attract, right? That's what happens when Raj [Shah Rukh Khan] and Priya [Rani Mukherji] bump into each other on a highway.
They are as diverse as chalk and cheese. Raj is an impulsive, middle class, hard-working, emotional guy, while Priya is prim and proper, highly sophisticated and brought up in the lap of luxury.
They throw caution to the winds and dare to fall in love. But, gradually, things start changing. Romance takes a backseat, the need to impress no longer exists. What happens next?
CHALTE CHALTE is a tale of two hearts…
 Primarily a love story, the film tackles the issue of marital discord – an issue that has been witnessed on the Hindi screen since decades. Also, flashes of ABHIMAAN, KORA KAAGAZ, AKELE HUM AKELE TUM, D.D.L.J., RAJA HINDUSTANI, HUM DIL DE HUKE SANAM and the recent SAATHIYA [it may be coincidental, the makers haven't intentionally tried to incorporate moments from these films!] cross your mind as you embark on a journey called CHALTE CHALTE, but this film has its enduring moments – moments that you carry home even after the show has ended.
Actually, CHALTE CHALTE has no story to talk of, but it's the treatment of this waferthin plot, the characters, the moments, the dialogues, the overall impact that makes it so very special.
Like his earlier works, director Aziz Mirza has set the film in a middle class locality of Mumbai [the setting makes the goings-on identifiable!] and garnished it with sequences that are straight out of everyday life. Somewhere, sometimes, to somebody you know, you've seen it happen – and that's where the film works!
The first half of the enterprise covers all aspects that contribute to the making of a love story – the meeting, the affair, the marriage, the tiffs… In fact, the roller coaster ride in the first half is flawless in terms of writing, execution and interpretation.
 There're moments that bring immense joy to the viewer, like the one during the wedding reception [soon after SRK and Rani's first meeting] or the sequence in the aircraft [SRK boarding the same flight to Athens].
Likewise, the emotional moments are hard to forget. Sequences like the one outside Rani's house in Athens, when SRK talks about the moments they've shared, or Rani's entry into SRK's house after the marriage, have been handled with élan.
Naturally, if the batsman hits a century in the first innings, the viewer expects an encore in the second innings [post-interval] as well.
But the pace drops in the second half. Also, the goings-on tend to get lengthy and cumbersome as you watch the couple having tiff after tiff, most of which lack ground. How one wishes the editor would've used the scissors sharply to trim or even edit these portions!
Fortunately, the second half has its share of brilliantly executed and emoted sequences that save the film from sinking. Like, for instance, the scene in the party when SRK gets to know that Rani has borrowed money from Jas Arora to clear off the debt, is one of the best sequences of the enterprise.
Ditto for the sequence in the pre-climax, when SRK creates a ruckus in the foyer of Rani's condominium, after having reached the location in an inebriated state. Even the climax [slightly long drawn though!] when SRK breaks down completely at the airport – the sequences manage to pull your heart strings and would prompt the delicate ones to reach for their handkerchief.
 Undoubtedly, CHALTE CHALTE is Aziz Mirza's finest attempt as a storyteller. Not only has he extracted outstanding performances from the principal cast, he has also struck the right balance between light and emotional moments of the film – the two sides of the coin. It is thanks to Mirza's mature handling that the film neither becomes an out-an-out comedy, nor a complete tearjerker.
If Mirza's work is top notch, the screenplay is equally gripping, though, of course, the second half could've been concise. Rumi Jafry's dialogues are excellent. It's truly amazing to see someone who has specialised in writing out-and-out mass-oriented stuff in David Dhawan's flicks come up with natural and sensitive writing this time around.
The music [Jatin-Lalit, Aadesh Shrivasatava] is a mixed bag – not great, not bad either. Amongst the tracks, 'Tauba' and 'Suno Na' stand out for their honey-coated tunes, while the balance tracks range from quite good to strictly average. Ashok Mehta's cinematography is first-rate, like always.
And now to the performances!
CHALTE CHALTE clearly belongs to Shah Rukh Khan, an actor par excellence. One actually runs out of adjectives and personifications if asked to describe this performance by the actor. Clearly his most natural and likeable performance since DILWALE DULHANIYA LE JAYENGE, SRK surrenders himself completely to the script and delivers a performance that is bound to be a big hit with one and all.
 Rani Mukherji proved her mettle as an actress of calibre in SAATHIYA and in CHALTE CHALTE, she takes a step forward. She slips into the character with amazing ease, proving that she's a reservoir of talent. Looks-wise too, Rani has never looked as gorgeous as in this flick.
Jas Arora comes up with a fine performance. Johny Lever isn't loud this time around [Thank God!], but how one wishes his character was properly developed. Amongst character artistes, Satish Shah and Lillete Dubey stand out.
On the whole, CHALTE CHALTE has several aces in its kitty – the light and emotional moments, the performances, the deft execution of the subject that makes you fall in love with love… But, most importantly, the film has tremendous emotional appeal to make the family audience throng the theatres. At the box-office, CHALTE CHALTE has all it takes to emerge victorious. Highly recommended!
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un amour passioni
22/08/2006 13:44
 L'élixir de ma bouche où se propage l'amour
Excité par l'envie de t'embrasser
De part en part enveloppe mes jours
Le doux son de ton rire exalté
Le plissement de nos yeux souriants
Remplit à jamais nos coeurs de douceur
Evoque l'immense tendresse d'un tout instant
Vers toi mes désirs partent sans peur.
JE T'AIME NAMOUR
Merci à Julien pour ce magnifique poème
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ajay devgan
22/08/2006 13:32
 Avec : Ajay Devgan, Tusshar Kapoor, Arshad Warsi, Sharman Joshi, Paresh Rawal, Rimi Sen, Sushmita Mukherjee, Mukesh Tiwari, Sanjay Mishra, Razzak Khan, Manoj Joshi, Vrajesh Hirjee
Réalisé par : Rohit Shetty
HISTOIRE
Gopal, Madhav, Lucky et Laxman sont, tous les quatre, étudiants et habitent le campus de leur université, même si Gopal a abandonné ses études depuis belle lurette. Il est le chef de leur petite bande et ses arnaques sont connues de plus ou moins tout le monde. Madhav n'est pas très futé et Lucky n'a d'estime que pour Gopal, rêvant de devenir un jour comme lui. Laxman est le seul de la bande à prendre ses études au sérieux. Ses trois compères, eux, trouvent que les plus malins sont ceux qui parviennent à vivre du travail des autres. C'est partant de ce principe qu'ils squattent la chambre de Laxman.
Ce dernier finit par être expulsé de son logement à cause de leurs frasques, et voilà toute la bande à la recherche d'un logement, de préférence gratis. C'est Gopal qui finit par trouver. le vieux Somnath et son épouse, tous deux aveugles, ont un fils établi aux Etats-Unis. Laxman devra se faire passer pour leur petit-fils qu'ils n'ont jamais vu. Une fois accueilli à bras ouverts dans la maison, il n'aura qu'à y laisser entrer ses compères. Leur combine marche bien au début, jusqu'à ce que surviennent les complications...
CRITIQUE
Hilarante comédie, s'il faut en croire les commentaires relevés. Golmaal contient des scènes tournées à Goa, Pune Bangkok et même chez nous. Le film est aussi ponctué par quelques chansons pleines d'entrain signées Vishal Shekhar. lachez vos commentaires slvp
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aish dit mon pour chandramuki...
22/08/2006 13:28
Les gens étaient curieux de savoir si Aishwarya Rai accepterait finalement de jouer le rôle de « Chandramukhi » dans le remake du film portant le même nom et, joué à l'origine par Jyotika. Selon les medias, Aishwarya aurait refusé le rôle en prétextant un problème de date pour le tournage.
Des rumeurs rapportent que Sushmita Sen serait approchée pour jouer le rôle.
Le rôle de Rajni sera joué par le Big B.
Merci à Guillaume pour ces infos. 
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